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Revolutionizing Music: beyerdynamic Your Way!

Using the latest sound personalization technology, beyerdynamic continues to produce unforgettable music.

Sound. It is your way of experiencing the world around you. Get ready to experience Mosaic sound personalization using Mimi technology! beyerdynamic now works with the best sound engineers on the latest sound personalization technology with their new consumer line. Products like the Amiron Wireless have allowed engineers to rediscover lost sound. They are like glasses for your ears making every sound crystal clear. However, beyerdynamic has not forgotten their history with industry standard studio products like DT770, DT880, and DT990 headphones still in production.

Since 1924 professionals have trusted beyerdynamic to create pro quality products to professionals in cities throughout the world. Fast forward and over 90 years later popular bands and professionals continue with that great legacy. Modern and classic music artists like 311, Foreigner, and Depeche Mode depend on beyerdynamic wireless microphones to produce a show their fans will never forget, an experience of sonic quality that will leave a lasting impact forever. Touring groups, on air broadcasting, recording studio, gamers, and audio professionals alike rely on beyerdynamic equipment to take the beating of regular use in the field, in and out of the studio. It is these relationships has built the foundation for beyerdynamic’s reputation as a high quality German manufacture. Keeping true to their standards beyerdynamic has a new line of products for the latest generation for music lovers, gamers, music artists, podcasters, and professionals.

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The-Biggest-Highlights-from-the-2019-Grammy-Awards

The Biggest Highlights from the 2019 Grammy Awards

The biggest night in the music industry came and went with minimal controversy. This year’s Grammy Awards were packed with touching speeches, well-deserved wins and stellar performances. We’re talking musical legends like Diana Ross and Dolly Parton, and a surprise appearance by the former First Lady herself.

Like any awards show however, Sunday’s 61st annual ceremony didn’t go off without a hitch. In case you missed any of the four-hour long action, we’ve rounded up the highlights, the gossip and a healthy amount of social media drama.

When they cut Drake’s speech off 

Perhaps in the biggest plot-twist of the night, Drake—who has notoriously boycotted previous Grammy ceremonies—actually showed up to collect his trophy for best rap song.

Celebrating the hit single God’s Plan from his 2018 album Scorpion, the rapper took the opportunity to remind his fellow artists that the Grammy’s do not a winner make.

“The point is you’ve already won if you have people who are singing your songs word for word, if you’re a hero in your hometown,” he said.

“Look, if there’s people who have regular jobs who are coming out in the rain and snow, spending money to buy tickets to your shows, you don’t need this right here. You already won. But—”

Drake was then cut off as the telecast went to a commercial, leaving viewers furious at the interruption.

Cardi B makes history

Cardi B won the best rap album award for her debut Invasion of Privacy, beating out Nipsey Hussle, Pusha T, Travis Scott, and the late Mac Miller, and becoming the first solo woman to take home the trophy.

The rapper gave an emotional speech that touched on her pregnancy and daughter, who was born in July.

“I want to thank my daughter,” she said. “I’m not just saying thank you because she’s my daughter. It’s because, you know, when I found out I was pregnant, my album was not complete, like three songs that I was for sure having. And then you know, you know how it was, we was like, we have to get this album done so I could still do videos while I’m still not showing. And it was very long nights.”

Ariana Grande tweeted and then deleted a series of insults as Cardi B took the stage, beating Grande’s late ex-boyfriend Mac Miller to the trophy. The singer called Miller’s snub “trash” and “literal bullshit,” before writing “sry” and deleting the posts.

Grande clarified afterwards that her tweets had “nothing to do w [Cardi]. Good for her. I promise. I’m sorry,” and called someone out for calling Cardi “trash”: “she’s not at all and that’s not what I meant and u know that,” she wrote in another, now-deleted tweet.

In a video recorded backstage at the ceremony and posted to Instagram, Cardi B dedicated her win to Miller, promising that she was “sharing this Grammy” with the late rapper.

Ariana drama 

The night also saw Grande win her first Grammy award for best pop vocal album with her record Sweetener. After a public spat with the show’s producer however, the star took to Instagram to confirm that she would not be attending the ceremony.

“I know I’m not there tonight (trust, I tried and still truly wished it had worked out tbh) and I know I said I try not to put too much weight into these things…this is wild and beautiful. Thank you so much. I love u,” she wrote on Sunday. 

Last week, the singer accused the organizer of the Grammys of lying about her reasons for withdrawing from a performance at the ceremony.

Grande still managed to steal the spotlight during the show however, dropping a series of photos that revealed her wearing her custom Zac Posen gown, which had been made for the event, around her house.

Women take center stage

This year, 15-time Grammy winner Alicia Keys led the show, stepping up as the first female host since Queen Latifah took on the role in 2005. Keeping the focus of the show on her love for music, she also enforced its female inclusivity. Last year’s ceremony was criticized for side-lining women, something that Keys was keen to address.

The star’s “sisters,” Lady Gaga, Jada Pinket-Smith and Jennifer Lopez, were invited onto the stage to each tell a personal story of how music changed their life and were joined by a certain former First Lady.

In a surprise appearance, Michelle Obama was forced to restart her speech, after her initial attempts were drowned out by applause.

“From the Motown records I wore out on the South Side, to the Who Run The World songs that fueled me through the last decade, music helps me tell my story,” she said.

“Music helps us share ourselves, our dignities and our sorrows. Music shows us all of it matters, every story with every voice, every note in every song.”

Captioning a photo of the group that she posted to Twitter, the former First Lady said she showed up for her close friend Alicia Keys—“one of the most genuine and thoughtful people [she knows].” 

Powerful performances

Our favorite performances of the night included Alicia Keys’ piano medley on two pianos (at the same time), Dua Lipa and St. Vincent’s seriously cool collaboration with Masseduction/One Kiss, Lady Gaga’s theatrical performance of Shallow and Kacey Musgraves serene version of Rainbow.

In answer to the question: “Was Jennifer Lopez the right person to choose to do a Motown tribute?” We think not.

Big winners 

Childish Gambino took three of the night’s biggest awards—record of the year, song of the year and video of the year—for his track This Is America. The song became the first hip-hop track to win song of the year, with Alicia Keys and John Mayer accepting the award when the rapper and actor didn’t turn up to the ceremony.

Lady Gaga also won big, accepting two awards for the soundtrack for the movie A Star Is Born. Gaga used her speech to discuss the importance of opening up about mental health, revealing that she was “so proud to be a part of a movie that addresses mental health issues” and adding: “We gotta take care of each other. So if you see somebody that’s hurting, don’t look away.”

While her co-star Bradley Cooper represented the film at the BAFTAs, Gaga bagged a further trophy for best vocal performance for Joanne.

Kacey Musgraves triumphed by winning album of the year and Dua Lipa was the only British artist to take home a trophy in a major category. Accepting her two trophies, Lipa made a small dig at the Recording Academy, thanking “all the incredible female artists” and saying “I guess we’ve really stepped up.” 

You can find a complete list of winners here.

Further reading: Kevin Hart Steps Down As Oscars Host

Alicia Keys to Host 2019 Grammy Awards

Alicia Keys to Host 2019 Grammy Awards

Having won 15 herself, Alicia Keys is no stranger at the Grammys. This year however, the singer will claim a new role, ending James Corden’s two-year stint as host of the awards show.

The announcement came via the Grammys official Twitter page on January 15, with a post that read: “IT’S OFFICIAL! 15-time GRAMMY winner @AliciaKeys will host the 61st GRAMMYs, marking her first time as master of ceremonies for Music’s Biggest Night.”

“I’m going to host the Grammys, you heard it. I know what it feels like to be on that stage,” Keys said in a video post.

“I just feel grateful that I’m able to bring that light, that energy. I’m feeling excited, I feel really good about it.

“I feel that it’s the perfect opportunity to give that light back, especially to all the young women nominated. To me it feels like sister vibes,” she added.

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BIG news…. 🔥🔥🔥 (check my story)

A post shared by Alicia Keys (@aliciakeys) on

Unfortunately, not all of the musician’s fans have shared her excitement.

In a video the star shared on social media, Keys can be seen revealing the big news to her two young boys, Egypt and Genesis.

Following a long silence, a confused Egypt, 8, says: “What’s the Grammys?”

Keys captioned the video: “Egy and Gen want to know what the #GRAMMYS are ???”

Last April, Keys was honored at Variety’s Power of Women event in New York, after co-launching Keep a Child Alive—a nonprofit aimed at combating HIV. Using her acceptance speech, the singer spoke out about the inequality that women face in the workplace and in the world, reiterating this message at the 2018 Grammy Awards.

“Look at all the action that’s around us: women running for office in record numbers, women banding together in the entertainment industry, women demanding an end to disparity in the music industry like equal representation on the Grammy stage,” she said.

“We were told we need to step up. Well, you feel that step up now?”

Keys will indeed be stepping up as the first female host of the show since Queen Latifah took on the role in 2005. She will be at the forefront of a year that includes a considerably larger number of female nominees.

“I’m especially excited for all the incredible women nominated this year! It’s going “UP” on February 10!”

The 2019 Grammy Awards will take place at the Staples Centre on February 10 in Los Angeles.

Further reading: Kevin Hart Steps Down As Oscars Host

d-Sheeran-to-Face-Court-over-Marvin-Gaye-Plagiarism-Claim

Ed Sheeran to Face Court over Marvin Gaye Plagiarism Claim

A jury is set to decide if British singer-songwriter Ed Sheeran copied Marvin Gaye’s song Let’s Get It On when he created his smash single Thinking Out Loud.

The 27 year-old’s bid to dismiss the lawsuit was rejected on Thursday, January 3 when district Judge Louis Stanton said a jury should decide Sheeran’s liability.

Judge Stanton found “substantial similarities between several of the two works’ musical elements.”

He further ruled that it was disputed whether the harmonic rhythm of Let’s Get It On was too common to deserve copyright protection.

The action was brought against Sheeran, Sony/ATV Music Publishing and Atlantic Records by the estate and heirs of late producer Ed Townsend, who co-wrote Let’s Get It On with Gaye.

The classic track hit number one in 1973 while Thinking Out Loud topped the UK single charts in 2014.

The defense has argued that the newer track was characterized by “sombre, melancholic tones, addressing long-lasting romantic love,” while Let’s Get It On was a “sexual anthem.”

However, the Judge said there were similarities in the bass lines and percussion of the two songs and stated that listeners might consider both hits as having the same “aesthetic appeal.”

Sheeran denies copying Gaye.

Not the first time 

The accusation is not the first time that Sheeran has been accused of copying other artists.

In 2017, the star settled a $20 million copyright infringement claim over his song Photograph. He was sued in 2016 by songwriters Thomas Leonard and Martin Harrington, who claimed that his hit ballad had a similar structure to their song Amazing.

Another instance in 2017 also saw the team behind TLC’s 1999 single No Scrubs given writing credits on Sheeran’s Shape of You, after comparisons were made between elements of the songs.

Judge Stanton is presiding over another lawsuit alleging Sheeran copied Let’s Get It On. Structured Asset Sales (SAS)—which owns a third of Townsend’s estate—are suing for $100 million.

They claim he copied the “melody, rhythms, harmonies, drums, bass line, backing chorus, tempo, syncopation and looping” of the song.

History repeats itself

Recently, Robin Thicke and Pharrell Williams were ordered to pay nearly $5million to the family of Marvin Gaye.

In 2013, the Motown legend’s family claimed that Thicke and Williams’ chart-topping single Blurred Lines plagiarized Gaye’s Got to Give It Up.

The Gaye family are also entitled to 50 percent of all future song royalties.

Further reading: Space Jam 2 Is Officially Starring LeBron James

Robin Thicke and Pharrell Williams to Pay $5m to Marvin Gaye

Robin Thicke and Pharrell Williams to Pay $5m to Marvin Gaye

Robin Thicke and Pharrell Williams have been ordered to pay nearly $5million to the family of Marvin Gaye, as a long-running legal battle comes to a close.

In 2013, the Motown legend’s family alleged that Thicke and Williams’ chart-topping single Blurred Lines plagiarized Gaye’s Got to Give It Up.

The family initially won the case in 2015, attesting that Blurred Lines had the same “feel and sound” of the 1977 hit, but the pair appealed.

In March this year, a Californian federal judge upheld the original ruling, resulting in an amended judgment and settlement to Gaye’s family.

Thicke and Williams, along with Williams’ publishing company More Water From Nazareth, owe joint damages of $2.8million. Meanwhile, Thicke has been ordered to pay an additional $1.8million and Williams, another $357,631.

The Gaye family are also entitled to 50 percent of all future song royalties. The song was said to have generated a total of £16.6million in revenue during the original trial.

The decision has sparked controversy among judges and music experts alike. Having instigated a number of similar copyright cases in recent years, the grueling battle has set a strict precedent for the music industry.

Many feel that the original verdict was mistaken, as the “feel” of a song cannot be concretely copied. Indeed, Williams testified that he only evoked the mood of Gaye’s song and did not directly plagiarize a sequence of musical phrases or lyrics.

“I was like, ‘Damn, we should make something like that, something with that groove.’ Then [Williams] started playing a little something and we literally wrote the song in about a half-hour and recorded it,” Thicke admitted in an interview with GQ.

Circuit judge Jacqueline Nguyen, also disagreed with the appeal decision.

She argued that the song “differed in melody, harmony and rhythm” and said the verdict “strikes a devastating blow to future musicians and composers everywhere”.

Two of Gaye’s children, however, called the resolution “a victory for the rights of all musicians” and their mother Jan added that it was a “wonderful recognition of Marvin’s creativity and the lasting value of one of his greatest songs”.

As a result of the case, instances have seen Taylor Swift gift Right Said Fred a writing credit on her single Look What You Made Me Do; and Ed Sheeran add the writers of TLC’s No Scrubs to his single Shape Of You. Sheeran is also accused of “copying” Marvin Gaye’s classic song Let’s Get it On with his 2014 ballad, Thinking Out Loud.

Further reading: From Cornfields to Concerts: Carlie Hanson’s Rise to Fame

Political Opinion

Taylor Swift Speaks up about Political Opinion

On Sunday, Taylor Swift endorsed two Democrats, Phil Bredesen and Jim Cooper, in Tennessee on Sunday via her Instagram account to her 112 million followers, sparking a huge response—both good and bad.

The popstar, 28, had deliberately kept her political opinion close to her chest in the past, telling Time magazine in 2012, “I don’t talk about politics because it might influence other people…And I don’t think that I know enough yet in life to be telling people who to vote for.”

Beneath a black and white photo of herself, she broke her scrupulous silence on the topic, saying, “In the past I’ve been reluctant to publically voice my political opinions, but due to several events in my life and in the world in the past two years, I feel very differently about that now.

“I believe in the fight for LGBTQ rights, and that any form of discrimination based on sexual orientation or gender is WRONG. I believe that the systemic racism we still see in this country towards people of color is terrifying, sickening and prevalent. I cannot vote for someone who will not be willing to fight for dignity for ALL Americans, no matter their skin color, gender or who they love.

“As much as I have in the past and would like to continue voting for women in office, I cannot support Marsha Blackburn. Her voting record in Congress appals and terrifies me. She voted against equal pay for women. She voted against the Reauthorisation of the Violence Against Women Act, which attempts to protect women from domestic violence, stalking and date rape.”

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I’m writing this post about the upcoming midterm elections on November 6th, in which I’ll be voting in the state of Tennessee. In the past I’ve been reluctant to publicly voice my political opinions, but due to several events in my life and in the world in the past two years, I feel very differently about that now. I always have and always will cast my vote based on which candidate will protect and fight for the human rights I believe we all deserve in this country. I believe in the fight for LGBTQ rights, and that any form of discrimination based on sexual orientation or gender is WRONG. I believe that the systemic racism we still see in this country towards people of color is terrifying, sickening and prevalent. I cannot vote for someone who will not be willing to fight for dignity for ALL Americans, no matter their skin color, gender or who they love. Running for Senate in the state of Tennessee is a woman named Marsha Blackburn. As much as I have in the past and would like to continue voting for women in office, I cannot support Marsha Blackburn. Her voting record in Congress appalls and terrifies me. She voted against equal pay for women. She voted against the Reauthorization of the Violence Against Women Act, which attempts to protect women from domestic violence, stalking, and date rape. She believes businesses have a right to refuse service to gay couples. She also believes they should not have the right to marry. These are not MY Tennessee values. I will be voting for Phil Bredesen for Senate and Jim Cooper for House of Representatives. Please, please educate yourself on the candidates running in your state and vote based on who most closely represents your values. For a lot of us, we may never find a candidate or party with whom we agree 100% on every issue, but we have to vote anyway. So many intelligent, thoughtful, self-possessed people have turned 18 in the past two years and now have the right and privilege to make their vote count. But first you need to register, which is quick and easy to do. October 9th is the LAST DAY to register to vote in the state of TN. Go to vote.org and you can find all the info. Happy Voting! 🗳😃🌈

A post shared by Taylor Swift (@taylorswift) on

Spinal Tap director Rob Reiner took to Twitter to praise the singer’s political opinion, saying, “A big shout out to Taylor Swift for speaking out. You can single handedly change this country. Impress on your fans how critical and powerful their voices are. If you get them to the polls on Nov 6, everything you care about will be protected.”

While Swift’s views have been applauded by many (attracting around 1.6 million likes, including by Chrissy Teigen and Reese Witherspoon), the post also caused much controversy among Republicans.

The president of the conservative group Turning Point USA, Charlie Kirk, tweeted: “You just endorsed a Democrat in the Tennessee Senate race with a ridiculous statement saying Marsha Blackburn, a woman, is against women. You have absolutely no idea what you are talking about.”

Donald Trump told reporters, “Marsha Blackburn is doing a very good job in Tennessee. She’s leading now substantially, which she should. She’s a tremendous woman. I’m sure Taylor Swift doesn’t know anything about her. Let’s say that I like Taylor’s music about 25 percent less now, okay?”

While Swift’s comments may have the power to sway the political opinion of her fans, her endorsement is no guarantee of a vote. In 2016, Democratic presidential candidate Hillary Clinton was publically supported by superstars Jay Z and Beyoncé in Ohio, but the state still swung in favor of Trump.

Further reading: Join the Fight Against Sexual Assault

Mumford & Sons Debuted New Single “Guiding Light” On The Tonight Show

Mumford & Sons Debuted New Single “Guiding Light” On The Tonight Show

British folk-rock sensation, Mumford & Sons, took to the stage on The Tonight Show to debut their new single, Guiding Light. Monday night’s show also welcomed lead singer, Marcus Mumford, to the couch, where he let slip a hilarious story involving Bruce Springsteen.

Mumford told host, Jimmy Fallon that the band is “still mixing the record” for their upcoming album, Deltaset for release on November 16.

“Is this the first time you’ve promoted an album that’s not finished?” asked Fallon. Mumford laughed as he tried to reassure himself: “Yeah, but this is the modern world. It’s going to be fine!”

Marcus’ bubbly and sweet personality soon had the crowd ‘aw-ing—specifically in response to the singer’s touching words about band mates Ben Lovett, Ted Dwane and Winston Marshall.

“We all write.

“I hope that means we can be a band for a longer time…They’re also my three favorite song writers, like, in the world,” he told Fallon.

Listing work by Miles Davis and Lauryn Hill as two of the first albums he ever bought, Mumford also noted that he grew up listening to Bruce Springsteen. When asked if the band had ever met Springsteen, Mumford informed Fallon that they had met a couple of times, most memorably at a festival in Belgium.

Springsteen invited the band onto the stage with him, during which Mumford was so nervous that he “forgot the lyrics to Hungry Heart.” Mumford’s retelling of the story also touches on a pair of maracas and was followed by an equally entertaining plot that involved one of the bands earliest escapades.

As the interview came to a close, Marcus confirmed that Mumford & Sons would definitely be going on tour for Delta.

The extensive sixty-date worldwide arena tour will begin later this year. Full tour details will be revealed on October 4.

The album was, of course, written collectively by the band and produced by Paul Epworth. It marks 10 years since the band’s formation.

Speaking about Delta to DJ, Annie Mac, Winston Marshall has said: “I think at the beginning [of recording the album] we kind of fell back in love with the old instruments we didn’t play on Wilder Mind like the acoustic stuff and the more folky instruments but [we were] conscious [about] how we can make these instruments sound not like these instruments which opened up a whole new world for us…”

Watch the full interview, here.

Watch Mumford & Son’s performance of “Guiding Light”, here.

Mac Miller Death

Mac Miller’s Death is Tragic—But It’s Not Ariana Grande’s Fault

American rapper Mac Miller died of an alleged drug overdose on September 7. He was just 26 years old. Miller had suffered with substance abuse since the age of 15, famously admitting to Noisy that using drugs was “dangerous, dude. But they’re awesome”. The announcement shook the core of the music industry and, although I wasn’t an avid fan, it shook me. Not only did the industry lose an intelligent, energetic talent, but his death comes at an age so close to my own that it’s also a frightening reminder of my own mortality.

In a statement, Miller’s family described him as “a bright light in this world for his family, friends and fans.” Meanwhile, close friends and colleagues took to the Twittersphere to obituarise the young star. Post Malone said, “You changed so many lives. Had so much love in your heart…Never a more kind and sincere and beautiful person”, while singer Charlie Puth said, “I can’t keep losing friends like this…I wish I spent more time with you these past weeks…I’m so sorry”.

Yet, erupting through these mournful messages almost as quickly as the news broke, was a more sinister and dangerous narrative: The blame for Miller’s death, in the eyes of some, was not his history of substance abuse or his mental health, but his ex-girlfriend Ariana Grande.

In a now edited article by TMZ, the outlet that first reported the death, a reporter wrote: “Miller has had trouble recently with substance abuse…in the wake of his breakup with Ariana Grande.” Fans of the rapper flooded the internet to lay blame at Grande’s feet. One Twitter user was reported by UNILAD as saying, “@ArianaGrande look what you did to Mac Miller! He needed support and you weren’t there for him so he could move on. Instead you got engaged with another after two weeks of dating just to f**k with Mac Miller!” Another said, “[…] Yeah I get why he would be upset and why he would wanna take drugs bc drugs stop all of the pain for a while. So honestly it is sorta her [Grande’s] fault”. Grande has since deactivated the comments section on her Instagram account following a surge of misogynistic, hateful and relentless abuse hurled at her following his death.

Elsewhere, global news outlets published loud headlines referring to the K.I.D.S artist as simply “Ariana Grande’s ex-boyfriend”. These shamelessly shifted the attention to Grande, which diminishes Miller’s legacy as an accomplished musician, producer and artist, to simply the ex-boyfriend of a famous pop star.

“Headlines referring to Miller as ‘Ariana Grande’s ex-boyfriend’ diminish his legacy as an accomplished musician, producer and artist to simply the ex-boyfriend of a famous pop star”

Grande also faced similar online harassment at the hands of Miller’s fans after a hit and run incident that occurred in May 2018. More recently, when cameras caught the moment a pastor touched Grande’s breast at Aretha Franklin’s funeral earlier this month, many focused instead on the length of her dress—as if that was the reason such atrocious behavior occurred.

Grande isn’t the first woman to be demonized for refusing to shoulder and absorb the trauma and behaviors of men. Yoko Ono was famously blamed for the breakup of the Beatles. Rock star Courtney Love is still blamed for her husband Kurt Cobain’s drug addiction and subsequent suicide, too—a deeply harmful phenomenon that blurts out the expectation that women are obligated caretakers.

“Grande isn’t the first woman to be demonized for refusing to shoulder and absorb the trauma and behaviors of men”

Should Grande have stayed with the rapper to see him recover from his addictions before moving on? Absolutely not—especially at the expense of her own mental wellbeing—and she shouldn’t have to feel guilt for it either. It seems it’s easier to ignore the glaring, complicated and insidious disease that is addiction than it is to blame one single person—much easier if it’s an ex.

Joyeur

Pop Duo Joyeur Discuss Their New Single with College News

Anna Feller and Joelle Corey pool their creative talents to form the female pop duo Joyeur. College News catches up with the pair to discuss their explosive introduction to the LA music scene and their upcoming EP.

College News: What is the meaning behind the name Joyeur and how does it tie in with your music?

Joyeur: Joyeur is a hybrid word we coined that means “a person who gets off on watching others engaged in joyful activity”. It’s that moment where you see a stranger, friend or family member smile or experience something beautiful in life and you just catch yourself smiling like an idiot. We make music that is upbeat and dirty, so we want people to have fun while they’re listening to it.

CN: You first appeared on Soundcloud with a Kendrick Lamar cover, are you a fan of his?

J: Oh yes, definitely. He’s amazing but we actually chose Pride because we were so impressed by the female writer, Anna Wise, who frequently works on his albums and wrote on that track. Love her.

CN: Your debut single, Dig is out now—can you tell us a little about the track?

J: It’s about a gung-ho, all or nothing kind of love. That’s our motto for pretty much everything and it shows in the track. The stomps are like fists hitting the ground in tantrum. It’s our literal first print in the world, and it had the power that we wanted to come out swinging with.

CN: How would you describe your style? Some sources have classified it as electronic-inspired pop, would you say that’s accurate?

J: We are absolutely attracted to electronic-leaning sounds and styles, though we will be featuring more live instrumentation and funk-fueled elements in our upcoming EP.

CN: What advice would you give to other females aspiring to make it in the music business?

J: Just do it. Don’t look to other people to give you chances; make them yourself. Keep your head forward and be the artist and musician you are. Also, maybe value sleep a little less.

CN: What fellow artists inspire you?

J: Sohn, Santigold, LCD Soundsystem, N.E.R.D. We love a little grit.

CN: Anna and Joelle, how did you come to realise that you were compatible with one another?

J: We knew in our very first session together. We were introduced and basically started writing that day. The moment we met, we fed off each other’s urge to make something new and tried everything under the sun. Together, we poured out Tori Amos-style ballads. We created pure pop. We even made a renaissance fair track. And finally, we discovered ourselves as artists together—myself as a writer and singer, and Anna as a producer and musician. One thing we loved about one another was a shared sense of progression. We always kept pushing each other like there was no tomorrow.

CN: When did you both realise that music was your calling?

J: Anna began playing piano at six and became a classical concert pianist prior to learning engineering and production. I was singing and writing songs since birth, though I was actually a closeted singer until just a few years ago.

CN: What challenges have you faced during your career so far? What is the hardest thing about being a musician?

J: You finish one song that feels like your tour de force and then you just have to keep going. You can’t really rejoice over one accomplishment, you have to keep challenging yourself to be better and that pressure can be daunting sometimes.

CN: Your new single, Fast as You Can, is soon to be released. How does it differ to your previous tunes?

J: Dig was heavy. I think we started having so much fun writing together and that really shines in Fast as You Can. It was a different period in our lives and for us that’s just so obvious. Our music really reflects the various experiences we have and you can hear that each song is almost a time capsule of how we see each day.

CN: The bio of your Instagram page features the hashtag: #womeninmusic. Is this a particularly motivating concept for you?

J: Absolutely. The music industry is a boy’s club. We don’t seek out special treatment, but we all definitely need to look after and support both women and men alike. It’s a power dynamic that is as old as time, but you can really see that shifting right now.

CN: If you could meet any musician, alive or dead, who would it be and why?

Anna: Tori Amos. Her song writing and piano skills, along with her insane performances make her a powerhouse. She inspired me to be a musician. When I saw her perform, I said, “What is this storm to be reckoned with?”

Joelle: James Murphy. I actually met him once. I caught him head banging behind the DJ stand. We had a drink and he told me that he had heartburn. I wanted to respond, “Marry me!” He’s so cuddly and hilarious live, but mostly I love his music and outlook on being an artist.

CN: What are your plans for the future? Do you have any exciting projects on the horizon?

J: Yes! Our music video for Fast as You Can comes out August 28th and we have our debut EP due out this fall. Beyond that, we’ve already begun our full-length album.

Click here to listen to Joyeur’s latest single Fast as You Can!

Further reading: Panic! At the Disco—Pray for the Wicked Album Review

Petit Biscuit

Petit Biscuit Announces North American Tour

French DJ Petit Biscuit has announced his first ever North American tour this fall, stopping in Chicago, New York, DC, Nashville and more.

His critically acclaimed album, Presence, was released back in November 2017 on his 18th birthday. Fans are expecting many of the songs from the album to be played on the tour, including singles Wake Up, Problems and Waterfall.

The album has received excellent reviews; Billboard described it as “a 14-track collection of smooth, chilled out house perfect for falling in love or nursing introspective moments into brilliance.”

Petit Biscuit, whose real name is Mehdi Benjelloun, originally trained in classical music, learning to play various instruments including the piano, guitar, cello and more. He started to experiment with electronics at the age of 11, later influenced by artists including Tame Impala, Frank Ocean and Flume.

When he was only 15, his single Sunset Lover reached number six in the French charts and reached number seven in Belgium. The track now has over 350 million streams on Spotify.

His most recent single, Wake Up, features British singer Bipolar Sunshine and American singer-songwriter, Cautious Clay.

Of the artist, YourEDM says: “Petit Biscuit’s strength lies in his future which at this point seems limitless.”

On his tour, Petit Biscuit will be joined by Manilla Killa, Melvv, Wingtip, Hazey Eyes and Super Duper on select dates.

Tickets go on sale August 27 to the general public.

Further reading: Metric Release New Single ‘Dressed to Suppress’ Ahead of Album Release