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Mads Mikkelsen Open Up About Polar, Gymnastics and Playing the Bad Guy

Mads Mikkelsen has starred in everything from Hannibal to Casino Royale, The Hunt and Doctor Strange, and he’s here to talk to College News about his latest movie on Netflix: Polar.

One of Denmark’s biggest actors, Mads Mikkelsen commands the screen as Duncan Vizla, a recently retired assassin better known to his colleagues as Black Kaiser. It’s graphic, it’s intense and it’s a journey about grief, friendship and redemption.

COLLEGE NEWS: First things first, can you tell our readers a bit about your upcoming film, Polar?

MADS MIKKELSEN: Polar is based on a graphic novel—it’s about a hit man who is supposed to retire and, in his effort of doing so, he tries to go out into the real world and see if he fits in there. But he’s quite socially awkward and bumps into another person who’s equally socially awkward, and it becomes a funny little meeting between these two characters. On the other side, we have a simultaneously running story where a high-paced film is taking place—crazy action characters who are chasing and hunting down this character. So these two different entities will eventually collide in the film and that’s part of the journey.

CN: How did you first become involved with the project and its director?

MM: The graphic novel came my way a few years ago and I loved every thing about it. Then it came again with Jonas [Åkerlund] attached to it and then we started discussing and coming up with ideas and polished the script more and more together with writers. Jonas was just a fantastic match, he’s a completely insane person, and I think that really was a good match for this film.

CN: So, you’re playing a retired assassin who shows younger killers a thing or two–how would you say your approach towards acting has developed as you’ve grown older?

MM: I don’t know really. I mean, it’s one of those questions that’s really difficult to answer as an actor. I think if you asked someone who’s 90—what are their techniques, what have they learned—they would always say “can you just wait one year, I don’t know.” One of the things I have learned, years ago, is that the better everyone is in a scene, the better the scene is, the better you are. If anyone feels uncomfortable in a scene, it’s everybody’s job to make this person not uncomfortable and to do their best. So we need each other to make a good scene.

CN: Do you have any favourite or most challenging scenes to shoot from Polar?

MM: Well the most difficult ones were obviously some of the long stunt sequences which, in the nature of themselves, are quite difficult. It doesn’t make it easier that I’m not wearing any clothes and it’s taking place in a concrete hallway, you know.

And it’s very cold, so that was by far the most difficult. Some of my favorites were the ones I had with Vanessa [Hudgens]. These two awkward people who are trying to have a normal conversation and it turns out to be quite awkward… and I love those scenes—they’re sweet and comedic in a subtle way.

CN: Can you tell our readers about how you first got into acting?

MM: It was kind of strange; there were some detours in my life. I was a gymnast. After that I discovered dancing, because I wanted to do some flips in the background of a musical. And then the choreographer of that musical asked me if I wanted to learn that craft and that was a Billy Elliot kinda thing.

I was a working class kid learning how to dance. So, I did that for ten years and through the dancing thing I discovered acting. I was very pleased about that; I thought I might have been a little more in love with the drama of dancing than the aesthetics of dance, so I applied for a drama school and I went in and then from there on I’ve been an actor and so far, I love it.

CN: What would you say has been the highlight of your career so far?

MM: There are obvious highlights that people would point out, and of course, you would have to mention winning at Cannes with The Hunt. Being part of the Bond franchise was a highlight. But there are many highlights in the sense of personal highlights, you know? Certain things you discover, certain things you’re very proud of, and I try to make my next project the highlight every time. I just try to make this the most important thing, so it doesn’t become a stepping-stone in my career but it becomes the most important thing. I think that’s the best approach I can have.

CN: What does your future career look like at the moment?

MM: I’ve got a couple of months off. Then I will hopefully start up something this coming year with Thomas Vinterberg that I’m looking very much forward to.

See also: Everything There is to Know About Psalm West

Our Favourite Films Directed by Women This Year

Bo Turnham Eighth Grade

Bo Burnham on Eighth Grade

Comedian, musician, actor and writer Bo Burnham talks with College News about the upcoming release of his directorial debut Eighth Grade, anxiety and life as a comedian.

College News: Let’s talk about your directorial debut, Eighth Grade. What has the response been so far?

Bo Burnham: The response has been really lovely so far. We’ve only shown it at a few festivals, but it feels like it’s connecting with people which is very, very nice and relieving.

CN: Eighth Grade centres around shy 13-year-old Kayla. You have spoken often about the character being the vessel with which to voice your own thoughts and feelings on the world. Were there any challenges you faced when it came to writing her character and how did your initial character ideas evolve as you wrote the film?

BB: The challenge was always trying to capture this voice authentically. My disconnect from her was two-fold: I was never a 13 year-old girl, and I was never 13 years old right now. And I knew both of those things lent themselves to a specific experience that I couldn’t fully understand. And the answer was just to research—and Generation Z is very easy to research. They post literally everything about themselves in real time online. As far as the ideas evolving, it all evolved once Elsie Fisher [actress who stars as Kayla in Eighth Grade] got involved—I told her every day that I wanted this movie to come to her and not the other way around. Once real kids got involved I deferred to them for the sort of nuts and bolts “truth” of the thing.

CN: When conceptualizing and writing the screenplay for Eighth Grade, what themes and topics were you keen on portraying through the characters and the plot?

BB: I wanted to talk about the internet and about anxiety. I have struggled with anxiety a lot in my life and have felt that my anxiety has deep ties to the internet in some way. And this story felt like the best way to explore it. I think the internet makes eighth graders out of us all.

CN: There is a pivotal, sexually awkward scene during the film that sees Kayla apologise to older character Riley for not being intimate with him. Was this scene written with the current political/social climate and #MeToo movement that’s currently engulfing Hollywood in mind?

BB: Definitely not. This was written two years ago and shot last summer—but I’m happy that people see that scene as in alignment with the values and concerns of the #MeToo movement—as I think it’s a vital and insanely overdue public conversation. And we still have a long way to go, especially with young people, in educating them on consent and sexual behaviour.

CN: You have had an extensive and thriving career as a comedian. How would you describe your comedic style?

BB: Trying very, very hard. Effortful!

 “I have struggled with anxiety a lot in my life and have felt that my anxiety has deep ties to the internet in some way”—Bo Burnham

CN: A common reaction that comedians and comediennes receive is backlash and criticism for using un-PC language or satirising socially sensitive topics. Has there been a particularly standout moment where this has happened to you? How do you deal with that kind of backlash personally?

BB: Oh sure I’ve dealt with backlash for things I said, especially when I was younger, 17 or 18 years old just trying to say the most offensive things because that’s what I thought comedy was. I tend to only look back on that stuff cringing at myself, not at the people objecting to it. I feel like comedians get to express themselves all the time, so they shouldn’t start complaining when the audience wants to express back.

CN: Can you tell our readers about how you got your break in the industry and how your career evolved into the realm of film and television?

BB: [I] started posting videos on YouTube and those sort of took off. And then it was just a sort of long, weird journey of performing stand up everywhere and quietly writing scripts in my free time. And then when it felt like I had gotten enough momentum in the comedy world to justify getting a small budget for a movie, I dropped stand up and started working on this movie. And here we are! And death next, I think!

CN: Writing is very much central to your career having written for your own comedy performances, television shows and now film. Can you tell us a little bit about the writing process for you? How do your ideas emerge and manifest into full-rounded projects?

BB: Honestly, they are often not full-rounded until the very end—if they get there at all! The initial point for me, usually, it just reading books or watching movies and just getting excited about things I like. And then trying to daydream and find any sort of ledge I can grab onto to start climbing towards something. My ideas usually start very specifically with an image or a scene or a moment—not with a THEME or some BIG SWEEPING IDEA. I like to start from a moment or image that I really love and then work outward. Because it’s really the moments that I’m going to be working on, and it’s the moments that people will experience, so if a moment can’t work out the gate, it feels not worth the time. That may make no sense.

CN: What three key pieces of advice would you give to budding young comedians, actors and writers that you wish you had been given yourself when you were starting out?

BB: I would say relax and enjoy it. I do believe that the best part of the creative process is available to everyone—just doing it. Just starting the process of picturing things and making things and seeing how they turn out and editing and making yourself better. Just start and jump in and don’t worry if you suck out the gate. This is what I try to remind myself of all the time. Just focus on what you can control which is your work and your ability to get better by your own standards. Just do the work and enjoy it. The whole reason to do creative things is to be able to do something interesting and enjoyable and the interest and enjoyment is available right away!

CN: Do you have any new and exciting projects on the horizon for 2018 and early 2019 that our readers should keep an eye out for?

BB: Just Eighth Grade. Hopefully in the next few months I’ll bang my head against a wall and something will fall out. But I’m only seeing tumbleweeds at the moment. Help!

> Watch Eighth Grade at cinemas from July 2018.

Further reading: Summer Blockbusters 2018